Études grégoriennes XL (2013)

TABLE DES MATIÈRES :

Daniela V. ARETIN

The Chicken and the Egg Music Theory and the Genesis of Musical Notation.

Charles ATKINSON, The Ohio State University School of Music

The Anonymus Vaticanus in speculo.

Eduardo HENRIK AUBERT, University of Cambridge

When the roman liturgy became Frankish – Sound, Performance and Sublation in the Eighth and Ninth centuries.

Sam BARRETT, University of Cambridge

Neumes in a Ninth-Century Verse Collection and the Early History of Messine Notation at Laon.

Marie-Noël COLETTE, E.P.H.E., Paris

Scribere qui nescit, sensum Deus augeat illi : remarques sur quelques témoignages de l’apprentissage de la notation musicale.

Fabrizio CRIVELLO, Università degli Studi di Torino

High-Grade Manuscripts and Neumatic Notation in the Carolingian Era: Examples and Observations.

Jeremy LLEWELLYN

Grammar, Writing and Chant: Notker the Editor and the Epistola ad Lantbertum.

Daniel SAULNIER, Tours, Centre d’études supérieures de la Renaissance

Nouvelles perspectives sur la coupure neumatique.

Giovanni VARELLI, University of Cambridge

The Early Written Transmission of Chant in Northern Italy : The Evidence of Milan, Biblioteca Ambrosiana, B 48 SUP., ff. 141-142.

Susana ZAPKE, Konservatorium Wien

Coexistencia de signos y funciones en la cultura visigótica escrita : Notas marginales.